Rhys serves to personify the more nihilistic voice inside Joe’s head, the impulsive and violent voice that Joe could never really bring himself to reckon with. He can’t shake the imaginary Rhys that he’s created in his fractured mind. That is, he didn’t know who Joe was until Joe killed him.Īfter burying the real Rhys, Joe fully realizes that he has a problem. It’s truly chilling when Nadia cracks open the cover to show that Joe, believing that Rhys was sending him secret messages, blacked out all of the words on the title page except for “hi Joe.” However, Rhys didn’t even know who Joe was. It includes an overly dog-eared and pored over copy of Rhys’s book. Because there’s “always a box,” Nadia is able to discover Joe’s secret stash hidden in his apartment. It turns out that Phoebe’s stalker wasn’t the only one with erotomania. Otherwise, everything we saw Rhys do, including all of the conversations he had with Joe, were all just in Joe’s head. (Cue exaggerated gasp here.) Sure, we saw the real Rhys once at Simon’s funeral, but that was it. In a Tyler Durden-esque reveal, we find out that the Rhys Montrose we know has been Joe the entire time. For example, why did Rhys say he had to intervene to save Joe when Joe had already disarmed Roald during his attempt at playing the most dangerous game in the woods of Hampshire House? Also, as I asked in my Part 1 “Ending Explained” piece: Why on earth would a man who plans to run for mayor of London go on a murderous spree? Now we have answers. ![]() It’s to the show’s credit that I didn’t really guess that Rhys was actually Joe for the first half of the season, but I did have some questions. Joe often encounters characters who try to strip the autonomy of others in his orbit, and the juxtaposition between a cool and collected Tom and the violent and impulsive Joe makes for great TV. It was incredibly fun to watch Kinnear go toe-to-toe with Penn Badgley’s Joe and also flex his smarmy muscles as an emotionally abusive villian in Kate’s life. And I think it works.It’s just always an absolute joy and pleasure to see the charismatic Greg Kinnear in anything, anywhere, all at once, so when he made his appearance as the mysterious and powerful Tom Lockwood in the back half of the season, I was excited to see what he might do. It's almost like we're shifting the genre slightly. He told the site: "The tone is similar but it's shifting in that there is a different format. In the same interview, Badgely said Season 4 would see a change in format. Badgely has since confirmed this - as has the trailer - and Badgely also told Entertainment Tonight: "There's also some other familiar faces which I think I can. There is also speculation that Marienne was on a moped behind Joe in the final scenes of Season 3, suggesting she would be making an appearance in Season 4. come together and talk about for hours and hours and hours between snacks." And even his exact plan of when and if he would return for his son is something that we will. Gamble added: "I think it will shape him from this moment forward. Showrunner Sera Gamble told E News: "That's going to be an ongoing conversation, because no, you can't pretend something that huge about a character didn't happen." It's also worth remembering that Joe left his son Henry at the end of Season 3 - as we briefly mentioned - so there is a chance he will return to Madra Linda at some point. In other news, you could be forgiven to assume that Love Quinn is dead - given Joe blew her and the house up at the end of Season 3 - though it wouldn't be the first time an ex returns from the dead in You if she reappears in Season 4. Meanwhile, ' A Good Man in a Cruel World' is certainly an interesting play on words, given it's quite clear Joe is not a 'good man', even if he thinks his actions are justified. The other books include ' The Adventures Sherlock Holmes', suggesting more mystery and detective work - something the trailer hints at too, while ' Vanity Fair' centres on high society, which Joe is in the middle of based on the trailer. ![]() It could also mean something as simple as the next season having "twists" and defying "expectations". This could refer to Joe's mentality or perhaps Joe's son that he had to leave behind. If you zoom in on the books, you'll see Charles Dickens' ' Great Expectations' and ' Oliver Twist' - both of which are essentially about growing up from a boy's perspective.
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